THE LYRIZATION OF A CONTENSIVE NOVEL FORM IN BELARUSIAN LITERATURE

Abstract

The esthetic development of an innovative theme such as the master and the art in Belarussian romantic literature of 1970s determined the transformation of a traditional generic form which had an epic basis. The amplification of a lyrical beginning in the substantial form of a novel is reflected at the level of imagery system: an ideological function of the main hero, who is a reflection of an author, qualitatively changes, a reader becomes their associate, and as the result a person acts not just as a main object but as a center of the author’s universe. In the works of Ivan Shemyakin “Atlanteans and caryatides” an in Alyes Osipenko’s “Holy sinners” talent’s specific character is comprehended inherently from authors Age’s ethical and moral problems, social reality is shown through its perception by the main hero, what determines “centripetal” organization of characters. Both authors come back to a development of artistic psychologism that enhances philosophical level of a masterpiece, discover the understanding of humanism not only as a worldview but also as an aesthetic category. Ivan Shemyakin shows a protagonist who is a sample of humane qualities, who is a true-born creator, and that upraises him above his social environment. On the philosophical level an idea that human flaws seriously impact an artistic concept is gradually establishing. Alyes Osipenko uses phantasmagorias as a sense-making technique, embodies a thorough hero, who tries to grasp a spiritual experience of different historical times, the last named acts as a must for a true talent’s establishment.