THE ART OF THE IMPLEMENTATION OF WOMEN’S SUBJECTIVITY IN CONTEMPORARY BELARUSIAN WOMEN’S POETRY

Abstract

An urgent question of contemporary feminine poetry is subjective research of feminine nature, which is viewed through the connection with the opposite sex (males). The notion of «feminine subjectivity» deals not only with psychological characteristics of the personality, but it also emphasizes physiological ones. Contemporary Belarusian poetesses (V. Kustova, E. Ginko, O. Gapeyeva, T. Sivietc, O. Sprinchan) represent a number of various approaches in revealing women’s view of the world, the kind of lyrical anxiety, particular artistic images and the construct of the «feminine». During the analysis of this conceptual peculiarity not only do we pay attention to the specific character of the woman in the male world, but we also note the output and argumentation of the corresponding approaches to disclosure of the contents of the literary work. In the research of feminine subjectivity realization in lyrics several theoretical aspects of «corporal conception» M. Foucault, J. Lacan’s and Z. Freud’s psychoanalysis and the conception of «feminine formation» by R. Braidotti, as well as inter-subjective concepts such as feminine desire by J. Benjamin. On the level of interpretation of cultural stereotypes that are viewed in contemporary poetic female texts the definition of literary peculiarities of feminine subjectivity manifestation is urgent, which explains the novelty of the paper.