ENDOPHASE FORM OF SPEECH IN POSTMODERN DISCOURSE (BY THE EXAMPLE OF THE STORY OF S. ANDRUKHOVYCH “FELIX AUSTRIA”)

Abstract

The article deals with the works, the objects of which are different forms of improper direct speech representation by the example of Ukrainian and foreign language artistic discourses. Turning to human inner world, the ambiguity of his thoughts, feelings, behavior encourages writers to choose a certain style of presentation, where endophasy, ie internal, improperly direct, forms of actors' speech played an important role. The lack of single clear structure, typology and definition of the essence of improper direct speech in scientific research is due to the constant evolution of artistic speech, individual styles of writers who, even in their own works, can change the ways of representing a foreign language. The purpose of the article is to characterize the specifics of improper direct speech construction, to find out the functions of endophasy (inner) forms which Sofia Andrukhovych used in the novel “Feliх Austria”. The analysis focuses on the syntactic (availability of specific syntactic constructions), lexical (the use of subjective-evaluative lexemes with positive and negative connotations), morphological (the use of appropriate verbal-pronominal units), structural (representation of a certain number of sentences – from syntactically unarticulated construction to a complex syntactic integer) aspects that are inherent in the design and separation of inner speech in postmodern discourse. Thus, endophasy (inner) forms of speech in the novel is aimed at understanding their “I”, knowledge of the inner world, determining their own place in society, trying to find motivation for their own actions and people around them.