THEORETICAL BACKGROUND OF THE LINGUISTIC STUDIES OF COMIC IN UKRAINIAN POETRY AT THE END OF XX AND THE BEGINNING OF XXI CENTURIES

Abstract

The article reveals and investigates the peculiarities of modern poetic language and its differential features. Attention is primarily focused on those features of the poetic language that reflect its historical dynamics and allow us to classify the poetic language as one that, while preserving its universal typological features (expressive richness, aesthetic significance, etc.), at the same time appears as a specific historical phenomenon.
The article is devoted to the analysis of poetic language as a linguistic and aesthetic object that needs to be studied in all its inherent complexity, heterogeneity and contradiction, and dialectical unity of all components. The comic plays an extremely important role in philosophical, civic, and love lyrics, which is manifested in the semantic and compositional plans of the artistic text. The subject of the research is the comic in different genres of lyrics, that is, the subject itself is not limited in any way to a single variety or the work of one poet.
In general, poetic language determines the means of creating the comic, its paradigm, and its scope. The development of the poetic language directly affects the peculiarities of the linguistic expression of the comic. The study of the constituent elements of poetic imagery is an important condition for the linguistic analysis of the specifics of linguistic means and techniques of comic creation, in particular with regard to emotional and expressive charge and evaluative semantics.
The linguistic means of creating the comic is quite important and valuable because with its help a certain artistic effect is achieved, it is the linguistic means that activate the reader's understanding of the comic at the denotative level, where encyclopedic information, presupposition, etc., play an important role.